design④history

privacy policy

Last updated: 19 August 2026

This Privacy Policy details the procedures by which Holger Hedrich (hereinafter referred to as "I", trading as "Design meets History") processes personal data on the website https://holgerhedrich.de. As the data controller under the remit of the GDPR, I take data protection very seriously.

Contact:
Mr. Holger Hedrich
Gehrnstraße 8
35630 Ehringshausen
E-mail: hedrich@mac.com

The data that is processed includes contact details that are provided voluntarily by the individual (name, email address, message) when contacting the company.
Technical data is generated automatically via server logs, including IP addresses, browser information, and visited web pages.
Cookies are essential for the website's operation, as well as for analytics and preference cookies. These are only used with your consent.

I would like to assure you that no payment or card details are processed on this site. The purchase of a template is made via the Wix Studio Marketplace, which processes the transaction in accordance with its own terms and conditions.

Purposes and legal bases:
In response to your enquiries (Art. 6(1)(b)/(f) GDPR), the website's operation and security (Art. 6(1)(f) GDPR), and audience measurement, provided you give your consent (Art. 6(1)(a) GDPR).

The website has been created and is hosted by Wix Studio, which is a service provided by Wix.com Ltd. Wix processes data on my behalf. The domain holgerhedrich.de is managed by netcup GmbH (Daimlerstraße 25, 76185 Karlsruhe); netcup acts solely as a domain provider and does not host the website. Where data is transferred to third countries, appropriate safeguards (e.g. standard contractual clauses) are applied.

Analysis and Audience Measurement
In order to enhance the quality of my service, I utilise Wix Analytics (a product of Wix.com Ltd.), an effective tool that gathers anonymised data on usage patterns, including page views, approximate location, and device type. This analysis is carried out only with your consent (Art. 6(1)(a) GDPR); you may refuse it via the cookie banner or withdraw your consent at any time with future effect.

Cookies
The website requires the use of technically necessary cookies to ensure its smooth operation. Please note that analytics and preference cookies will only be set once you have given your consent via the cookie banner. You have the option to change your selection at any time.

Retention period
Personal data is stored only for as long as is necessary, after which it is deleted or anonymised.

Your rights
You have the right to access, rectification, erasure, restriction, data portability and objection, as well as the right to withdraw your consent at any time. To exercise these rights, please contact hedrich@mac.com. Should you wish to register a complaint, you have the option of contacting the relevant supervisory authority, namely the Hessian Commissioner for Data Protection and Freedom of Information (HBDI).

Children and Changes
This website is intended for a general audience. Please note that it is not intended for children under the age of 16. This policy may be updated; the latest version is available on this page.

20:32:22 CET

Time waits for no one

▒ Prolog

▒ Zeichnungen

▒ Adam 1,2

Apollo und Diana; die Figur des Apollo ist eine der ersten proportionalen Studien Dürers zum männlichen Körper. Die Proportionen dieser Figur sind gestreckter als die der etwas früheren Zeichnung einer weiblichen Figur und entsprechen eher den klassischen Idealen. Es ist vermutet worden, dass Dürer seine Figur von Zeichnungen oder Drucken der berühmten antiken Skulptur "Apollo Belvedere" abgeleitet hat, die Ende des 15. Jahrhunderts in Rom entdeckt wurde. Die Proportionen und die Pose dieser "Apollo"-Zeichnung verwendete er später für seinen Adam im Stich von 1504. ↗britishmuseum.org

Auch die zweite Zeichnung ist eine von mehreren erhaltenen Studienseiten, die Dürer für seinen 1504 entstandenen Kupferstich von Adam und Eva anfertigte. Er experimentierte hier mit verschiedenen Positionen für die Arme und Hände Adams, die spiegelbildlich zum Kupferstich gezeichnet sind und von denen einige den von Eva angebotenen Apfel halten. Die tatsächliche Position von Adams linker Hand, die im Stich verwendet wurde, ist die Studie in der Mitte, und für seinen rechten Arm die Studie in der linken oberen Ecke, der hier einen Stock hält, im Gegensatz zum Ast im Stich. ↗ britishmuseum.org

Dürer's Adam and Eve

Albrecht Dürer's engraving 'Adam and Eve' is one of the artist's best-known and most famous works. The period leading up to the completion of the work was marked by numerous sketches, some of which were inspired by antiquity. This website looks at the various preparatory sketches and then focuses on the engraving itself. The final section of the exhibition looks at the development of the Adam and Eve motif in the form of an oversized oil painting.

↗ View Site

"Design meets History" is a curated collection of high-quality website templates that seamlessly blend the languages of art and web design. Each template draws on a chapter of art history – the fleeting light of Impressionism, the bold geometry of the modern avant-garde, the unadorned modernity of everyday life – and translates it into a handcrafted, fully responsive Wix Studio design. The layouts have been meticulously handcrafted, resulting in a visually original aesthetic. Each scene and short film was created exclusively using text-based templates, generated rather than painted, as a tribute to art movements, rather than a mere imitation of a single work. The result is a series of vibrant galleries in which a boulevard, a dance or a colour field can be slowly deciphered, detail by detail – just as one would study a canvas. The collection consists of four templates: 'Visual Storytelling', 'Five Impressionist Genres', 'Art Movements / AI' and 'Art into Life' – a constructivist study. We are pleased to announce the release of 'Visual Storytelling' and 'Art Movements / AI' on the Wix Studio Marketplace. The remaining templates are currently undergoing final testing and will be available shortly. The concept is clear: a website can embody the depth, atmosphere and craftsmanship of art history, reinterpreted as design.